#1: Revirescence

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 Revirescence: excerpted from the OED, noun                                                                                                                         ‘ The action, quality, or fact of growing fresh or new again; an instance of this.’

When young, my writing was fueled by rage and righteousness, put down with a furious pen. These days I quietly type away, sifting through facts for a buried truth, a clear explanation of what just happened.  And I write for revirescence.

So this is the latest.  After a year-long recovery from broken bones and medical immersion, I went online and met a man.  Immediate core differences stood between us, but the mission of my healing legs held us in symbiotic captivity.

He treated me like an injured queen and I acted like one.  We took weekly trips from one end of New York State to the other, and traveled to other countries.  With every step of the way on his lovely arm, I grew stronger.  A few months ago, pain-free and greater leg power than ever, I pronounced myself completely recovered.

But my needs were our structure, and without them the foundation of the relationship shook. Our lack of common priorities turned into a contest of wills.  The future did not belong to us, yet in the scheme of our lives, it was an important chapter.  Speaking of which, I find myself in another recovery, this time with mighty bones…and an open heart.

Photo of Long Island Hydrangea by Marissa Bridge

Another Threshold

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It’s been months since Marissa Bridge and I came to the end of our weekly blog collaboration: her thirty six orchid paintings from bud to naked stem, with short essays by me.  Next Saturday, we begin again, but this time, instead of art, language will be our initiator.   I intend to choose a weekly word from the Oxford English Dictionary, and use it in a short essay.  In turn, Marissa will match what I write with a piece of visual art.

This practice is our commitment to creativity, but were it not for you, our followers, it might not happen.

In appreciation,                                                                                                                       Stephanie

(Photo by me in Bali.)

 

Live Music

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In a recent late night conversation about loss, aging, and the current state of global affairs, I said, “The only comfort is in knowing we don’t have to live forever.”

Such glibness can be explained.  On top of everything else in the world, I am attending two memorials within a few days.  But it isn’t just me making careless jokes.  On a quiet night in an Indian restaurant, our waitress asked if we’d been there before.  I recalled a recent dinner, different friend, same table.  The place had been packed.  The waitress’s graying bun hung from her head like a climber losing steam.  She gestured beyond the sitar and tabla players, out to the sidewalk.  “I know,” she said, “where is everybody tonight?  Did they all die?”

The three of us laughed and laughed again.  Even with collective fears of imminent disaster, we laughed at the thought of the end of the world, about sitting in a little place in the East Village on a sleepy Sunday night, about being the last five people left on earth, blithely eating Chicken Tandoori while listening to live music.

But laugh as we may, anything can happen.  A close friend of mine, along with five others, was killed in a small plane.  It was years ago, still fresh, a beautiful spring day, clear skies.  Yet the pilot scraped the roof of a building as he was coming in for a landing.  It turned out he suffered from back trouble and was flying on morphine.

As I sat crying my head off at the funeral, I noticed a brass memorial plate on the back of the bench before me.  It had the name Hattie on it, the dates of her birth and death, and a quote.  By then, thousands of other mourners had seen it, and it was my turn for Hattie’s take on life.  “Well,”  the plaque said, “that’s that.

Long Lost

For those of you who have read this before, I apologize.  I’m trying to get the text and the image to publish on the same page.  Wordpress can be unpredictable.

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John Gibson arrived at my apartment for what we refer to as ‘salon.’  But before we were to commence our usual shenanigans, he needed to sit down and read prayers for a very sick friend.  I lowered the lights, and for several minutes, John read blessings off his computer.  He closed with the prayer that repeats a comforting concept when a person’s about to leave this earth: World without end.

Within the hour, John was belly down like a reptile looking for a diamond earring I had just dropped on the floor.  And I was right beside him.  We tried corralling it with a dust mop.  When that didn’t work, I got up and retrieved a flashlight that needed new batteries before we could use it.  Every dimmer in the apartment was turned to high.  All the while, I kept lamenting, “That’s what I get for showing them to you.  God, I feel like my sister, Gretchen.”

After my mother died, Richard, her long-lost-half-brother drove from Wichita to southern Missouri to treat my three siblings and I to lunch.  In a state of unspoken grief, we mostly stared out the window at a manmade lake and golf course with grass so smooth I assumed it was fake too.

Gretchen, the youngest, got up to go to the bathroom.  After an unusually long time, she returned looking as if she’d witnessed something worse than what we were repressing.  In a breathy hush, she said, “I took off my diamond ring to wash my hands and when I went to put it back on, it wasn’t there.  I think it went down the drain.”

I stood and followed her to the bathroom.  Our waiter and the hostess came in to see what all the fuss was about.  A uniformed member of the maintenance crew joined us with a big light and a plumber’s snake.  He eventually fetched more tools and went about the removal of the drain pipe. Her ring was not there.  At least thirty minutes into this fiasco, we returned to our uncle who looked as if he remembered the reason for his absence.

Still crawling around on the floor at the end of this tale, I said to John , “Gretchen found the ring by her kitchen sink, exactly where she’d left it.”

“Where’s the damn earring box?”  John commanded.

“I heard the diamond tinkle across the floor, John.”

“I don’t even know what we’re looking for.  I need to see the other one.”

Once again, I hoisted myself from a prone position, got the little white box and handed it to him.  Both diamonds were inside.  It was one of the screw backs that I’d heard scamper out of sight.

With John reciting prayers for his dying friend, and Gretchen’s birthday within a few days, yet thirteen years after her tragic death, there was plenty of grief in the air.  That is, if one had the courage to face it.  Instead, I pulled a Gretchen: false loss, big panic.  I don’t claim the technique to be particularly desirable, but in a so-called world without end, it’s comforting to recognize a glint of her in me.

Normalcy: Barely Required

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My mother had a thing about sweating.  Even a single drop of perspiration, especially at her hairline, made her act like she was not long for this world.  The unfortunate treatment of this affliction was to run around the house in a bra and cotton panties.  During the heat of the summer, she dressed for her own friends, but when children came to visit, my pleadings for normal decency were met with, “I don’t give a damn.  I’m not going to die for your company.”

But her sweating practices were innocent compared to what went on when she was behind the wheel of a car.  Proudly driving ‘like a ‘bat out of hell,’ she was in the habit of turning to her four children as she screeched to a halt at a red light, and commanding that we “Act normal.’’.  Her approaches insured that while we waited for the signal to change, all eyes in surrounding cars were on us.  We were trained to sit quietly until she took off from the intersection ‘like a ruptured duck.’

We only needed a general destination: ‘to hell and gone.’  Her goal after that was to save us with dramatic exhibitions of her superior reflexes.  In those near-miss moments, her rage was replaced by confidence, and what she was running from was obliterated from her radar: the total wreck that was our home life.

Originally, this short was going to be about the shock in realizing ‘Act normal’ was not what most parents said to their children, an epiphany occurring in a writing class.  But in re-examining some of the car stories for this post, it struck me, for the first time, as long as we were in a car, normalcy was barely required, and only when there were witnesses.

Putting Down the Fugue

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Along with the sorry state of the world, heavy matters of life and death have left me without a soft place to land and write.  I spent several weeks just thinking, trying to pin down a faceable subject.  But I kept returning to an exhaustive rehash of other people’s criticisms of my work. What a fugue; but it provided an effective escape from the recent tragedies and losses.  Enough already, it’s time to let it go.  So please bear with me as I do.

Beginning this litany with the comments of a well-published essayist, he suggested that each subject of these latest shorts is packed enough for a whole book.  My close friend who’s a copy writer and poet has respect for the discipline of the epic-on-a-single-page.  And his preference is an original voice that includes consciousness and politics over obvious spiritual or political writing.  However, some do favor my inspirational columns, and others are most interested when my pieces hit upon today’s issues.

While the above mentioned essayist has no objection to Self as a subject, a few are of the opinion that personal writing is indulgent, possibly ugly, although no one has used that word to me.  My siblings don’t object to pieces from our collective past, but they remember events differently than the way I tell them.  And at a reading in Kansas City, one family member said: “You know, Steph, if I didn’t have to work so hard, I’d like to write a book too. ”

As much as writing is a privilege, it’s not an evening in front of the TV with a box of chocolates and a G’n’T.  The process (not complaining, just stating facts) often requires drilling through a mountain of resistance.  Yet, because life doesn’t make sense without writing, when I’m struggling in the dark to come up with a decent sentence, or trying to figure out what the piece is really about, I have no desire to escape.

Much of what I’ve learned about myself is from the commitment to this work and reading other authors brave enough to expose the foibles of humanity.  Even though it is an interior practice and I stay true to the subjects that interest me, others’ criticisms are invaluable.  But this rehashing exercise has eaten up enough time.  So I’ve cleared my slate and shall begin again.

The Days of Witchy Discoveries

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While taking an active role in issues of equality and ecological preservation, I find myself repeating, ’I’m glad I’m old.’   That sentence should be enough nihilism for one person,  But no:  there’s something even worse.  My first (and last) foray into the dark side of witchcraft keeps circling my brain.

I must begin by stating I have devised an anti-doom plan: to spread love and live well.  But before it’s totally implemented, this diabolical discovery is worth repeating one more time.

In the early seventies as my interest in natural medicine began to form, I was at the local library and opened a barely read, very small book.  It was  written by a turn-of-the-twentieth-century British witch.  The acrid paper burned my nostrils and was almost too brittle to handle, but It contained a nice array of common herbal remedies.  So I took it home.

By that same evening, I came to the last chapter, which was dedicated to black magic.  The author described an ancient formula of herbs used to do away with enemies.  Once ingested, not a single symptom occurs until eighty-four days later, and then BOOM.  The unfortunate recipient drops dead.  And none of the potion that kills them is traceable.  I don’t remember a single one of the ingredients, but I can attest to the recipe as an efficient fantasy in the darkest of times.

Photo Credit: Michael Dali