Dear Followers:

I have an announcement: Because there is an ideal platform for introducing books, the first paragraphs from subsequent

chapters of What They Did Instead, will come to you from Substack (instead of WordPress). Later this morning, from the new site,

you will receive the opening to Chapter 3, titled Theater.

Thanks to my sister, Melanie, who helped me take the liberty to move all followers to Substack, you don’t have to do anything.

And I have chosen free subscriptions for my readers, as paid is an option on Substack. Even if you feel moved to turn all your

resources over to me, you can’t. Wild Nature will remain active for future use, and in the meantime, I hope you enjoy this next step

to getting my book out there.

In appreciation, Stephanie Urdang

Crops

First paragraph from Chapter 2 of upcoming novel: What They Did Instead

It was a slow-moving summer morning of no plans. Juliette, on the third of her twelve daily cups of black coffee, was carefully

slicing a bowl of slippery peaches. Picked from their acreage that morning, the fruit was juicy, the size of softballs,

and would spoil them for all other peaches the rest of their lives. When the phone rang, Hedy plucked a couple of slices from the

bowl, handed one to Bridget and slid the other in her mouth. Juliette rinsed her hands at the sink and by the fourth ring, grabbed

the receiver. It was her mother, Ruby, calling with a medical report she knew was coming.

In Search of Sonic Booms

First paragraph from Chapter 1 of What They Did Instead

Truck logo, midtown Manhattan

 Juliette Hart climbed the carpeted steps to the attic room where her daughters were asleep. Never mind the time, she was wide awake, needed to get out, and she couldn’t very well leave her girls alone in the house. The best remedy for what she was feeling was a country drive with a dramatic destination. They had no choice but to join her.    

What I Did Instead

Smoking Mount Etna, a night in Sicily

Dear Readers nd Followers:

In November, 2019, when we all imagined life would go on as usual, I announced a book was brewing in my head and on my my computer. The original and guiding title was The Deeds of Desperate Women, imagined as a volume of short stories. But in the organic process of writing and the long and insular quality of the pandemic, I ended up taking a much deeper dive. To my delight, and I hope yours, the project turned into a novel. It is called What They Did Instead. 

It’s near completion and time to begin the practical phase of writing: getting readers interested while exploring publishing options. To that end, beginning April 20th, and every Thursday for twenty-six weeks, I will publish a paragraph or two from each chapter.

Until then, I’m back and thanking you for being here, Stephanie Urdang

Brewing

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Dear Readers:

All my current writing energy is going into a volume of short stories, which I intend to publish in the near future.  And even though I have been Wild Nature of New York absent, people continue to follow me.  I thank you!  My plan for the blog is to post excerpts as soon as I am closer to the finish line.  At this rate of commitment, I think that will be soon.  So please stay tuned.

Stephanie

Photo by me from a recent trip to lake Atitlan in Guatemala

So Many Footprints

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October, Malibu

Dear Readers:

New followers continue to sign up, thank you very much, so it’s time for an update.  I am alive, well, and still writing.

With so many footprints on every grain of the collective mind, from myself and other writers and bloggers bloggers, visual artists, and talented or not, social media hounds, these last five months have been about cultivating space in my brain for new territory in Wild Nature of New York.

In the meantime, I’ve been working on short stories, a downright thrilling endeavor.  Thanks to a recent writing class prompt, and a visual artist who wants to collaborate, a new blog project is in the works: dark and earthy fables.  Hopefully,  life experience will qualify me like no other.

Please stay tuned.  Stephanie

8: Jugaad

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From the Oxford English dictionary: jugaad, n.                                                    [‘A makeshift automobile constructed from inexpensive materials.’]

Because of my mother’s need to lighten her burden after my dad left, Melanie and I rented a house alone.  I was just out of high school and Mel was fifteen.  I drove a Honda scooter that could barely carry two up a slight incline.  Still too young for a driver’s license, Mel bought a ’51 Dodge for two hundred fifty dollars. 

Its humped contour, combined with the brush-painted lilac exterior looked like a lurid Easter egg rolling down the streets.  The driver’s door handle and latch were broken, and exiting meant Melanie had to coax her window open and undo a brass slide bolt screwed to the outside of the car.  

Every night that summer, we cruised Kansas City in her car with an unspoken permit for good girls gone awry.  On one of them, we attracted five boys in a three-tone rumbling jacked-up jugaad.   While they followed us down Main Street, our friend hung her torso out the front passenger window.  Before long, a dark green sedan with two women materialized beside us.

“Pull over, you little whores,” the Medusa haired passenger yelled.  

Melanie and I looked at her and sang our go-to for disapproving adults: ‘What a drag it is getting old.’

“If you know what’s good for you, stop your car.”  Mel sped up.  The Dodge sputtered.  The driver forced her to jump the curb onto the empty sidewalk.  The only thing The Dodge’s tires had in common was baldness, and within seconds, two were flat.

She hit the brakes and I said, “Keep going, Mel.”

“I can’t drive on the rims!”  We learned that from our mother.

“Who cares about the rims if we’re dead!  Go.  Go!”

By then, Medusa was outside our window.  “Get out of that heap.”

Nearly petrified, I managed to lean toward the window and say,  “What could you possibly want.”

“I want you to get out of that car.”  In an unfamiliar work type uniform, she stood taller than our mom who was six feet, one inch.  “Where is your mother?”

“None of your beeswax,” Melanie said.

To no avail, the woman grabbed the dead door handle.  Her rage prevented her from noticing the slide bolt right next to it.  I reached across and opened the passenger door, shoved our friend out, and as we scooted across the seat to follow, our tormentor captured a handful of Melanie’s luxurious tresses.  

“Steph, she’s got me!”  Turning back, I gave the woman’s wrist a quick karate chop, she let go, we stumbled onto the sidewalk and into the arms of the boys from the jalopy.  In all the commotion, we’d forgotten about them.

As motley as their car, all five circled us, including a Vietnam vet on crutches, one leg missing.  The oldest, tall, dark, and Buddha soft, grabbed the swinging passenger from behind.  She thrashed and screamed, “Little whores, they don’t know what they’re doing.”  

“They’ve got the message,” he said, barely above a whisper, “You need to stop.”  As if hypnotized, Medusa collapsed and the episode came to a close.  The boys drove us home and Melanie quickly replaced the Dodge with a red Volkswagen Beetle.

Back then, I believed our independence and luck were beyond cool: they were epic.  It took many years to recognize our nocturnal forays for what they were: a need to be seen.  Otherwise, we never would have collided with the viperous Medusa and her particular desperation to exercise adult supervision.   

Photo by Marissa Bridge

 

Goodbye and Welcome

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Every December, someone tells me they’ll be glad when the year is over.  The first thought is always, ‘It’s not the year.  It’s life.’  But this one has been a doozy.  Yes, positive strides are in evidence, yet the daily combo of backsliding, global suffering, ecological disasters, fear, violence, and ridiculous politics hover over our collective heads like an iron clad cloud.

With plenty to be thankful for, I do not dare tally up the number of deaths in my little orbit these past twelve months: young, old, disease, natural causes, suicide, the passing of a mentor, and a pedestrian mowed down by a truck.  Plus, 2017 marks the disintegration of more than one personal relationship.

Since August, I’ve been on a break from Wild Nature of New York.  Along with grim reality, my silence came from facing the indulgence factor in personal writing.  All creative energy was funneled into the renovation of my apartment.   And in every dusty step I thought about what to write next: articles on healing and well-being, a fictionalization of the life and untimely death of my sister Gretchen, a collection of essays for a book, and too many other ideas to list.

By now, I, too, am relieved to say goodbye to 2017.  And it was just last night while talking to my writer friend, John Gibson, that I had a breakthrough.  In conversation about politics and journalism, I said, “I’s time to create a new reality.”

To start, inspired by a book John gave me for Christmas, I’ll publish the first piece in a new series next weekend.  And oh, what a relief it is.  Whether my new works are on the personal as universal, fiction, essays, or journalism, writing is the blood of my being.  It’s as inevitable and necessary as the coming of 2018.

Wishing all of you a happy and healthy New Year,                                                      Stephanie

#6: Phrontistery

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Definition of Phrontistery: noun, a place to think or study

My niece, Hayley, jumped into bed in the middle of the day and covered her head.  We were on vacation near Sarasota, trying to balance homework with a good time.  Through a muffled voice, she kept saying, “Leave Me Alone.”

A junior-high paper on the pros and cons of gun control was due in three days.  Her parents stood on each side of her, and opposing ends of the issue of weapons and permits.  They were gently unified in their goal that she just start writing and all would be solved.  But a contest of wills ensued, and Hayley popped her head out from the blankets.  She said, “I’m thinking!”

I butt in with, “In her mind she’s working on it.”

What looks like stalling to others can be vital to the process of getting in the chair with a firm concept from which to build.  My strategies include whispering to my orchids, talking to myself, or arranging new vignettes from my vintage French pottery collection.  The gym is good for finding the rhythm of a dialogue, but running errands kills the day.  So does a lot of talking with others during peak writing hours.  Hiding under the covers wouldn’t be my choice, but when Hayley came out, she was ready to write.

Creative concepts naturally happen in all kinds of situations.  But to grasp from the ethers the perfect phrase, a well thought out essay, a finished book, or to write as a spiritual practice, a phrontistery is required.  I need proper ergonomics in an aesthetic environment, and silence.  Otherwise, Good Ideas Gone By is the only story there is.

Photo of orchid by Marissa Bridge

P.S:  For the rest of August, Marissa and I are suspending this column.  We need to sink into our individual phrontisteries and work on bigger projects.  Bearing much gratitude for you, our followers, we’ll resume soon.

 

 

#5: Fode

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From the Oxford English Dictionary: † fode, v. [‘ trans. To deceive or delude with kindness or kind words; to entice or lead on with delusive expectations.’]

“Who comes to you,”  was an artist’s question when I told him about the healing work I do.  I should have just answered, ‘creative types,’ but leaving out names or institutions, I listed categories of power in the art world.

Our connection was through OK Cupid and after one phone conversation, we met at a park.  I must say, he was a gorgeous creature, but the opposite of what an interested guy would do on a first date.  He spent the evening dropping bombs of financial, professional, and emotional disasters,  His desperate need to find a gallery presented many chances for me to offer connections, but I honored client confidentiality.

This attempt to fode me was a familiar one.  My detection skills were solidified in a recent deception, one for which I fell.  While serving as President of the Board in our building, a co-owner approached me with an offer.  He’d seen my modeling pictures and insisted they needed an update.  As a photographer with a make-up artist partner, they were willing to do a head shot session, no charge involved.

I turned them down, but they didn’t let it go, applied pressure and flattery until I acquiesced.  Sitting for portraits is something I have done many times, but this shoot was an energy-less chore equivalent to cleaning out someone else’s garage.  Though the photography turned out fine, my sour expression ruined the possibility of usable images.  When they insisted I select favorites, the thought of looking at those photos again made me want to go invisible.

This shoot happened during the same month that we conduct our building’s annual Board election, and after years of serving as Madame President, a new person was voted into my old position.  Happy to step aside, when the photographer’s partner found out the results, her first response was to stomp her feet, and then she cried.

Such a surprising emotional display got me thinking: for extra income, they used their second apartment in the building as an Air bnb, technically against the rules.  The headshot session was designed to keep me looking the other way while they did what they needed to do to maintain both spaces.  By not campaigning to my position of power, I’d dropped my end of the silent deal.

Even though we’re on friendly terms, the photos were never spoken of again.  And coincidentally, the man who wanted art world contacts just wrote stating ‘energy differences’ regarding a match, with an offer to continue our ’instant friendship.’  The answer to that is no thank you, because through the eyes of a foder, everyone is humiliated.

Photo by Marissa Bridge: Deceiving colors